Music Link: https://open.spotify.com/album/5tVod8UFEEy2rmlgZ8vnuk?si=d77QyxR9QhCR9we6fFMIGw
In an era marked by shifting music trends, Kemar McGregor remains steadfast in his commitment to preserving the timeless essence of ’90s dancehall. His latest endeavor, “The Recoup Riddim,” is a testament to his dedication to reviving the golden age of Jamaican music. McGregor’s inspiration for delving into the realm of ’90s-inspired dancehall amid today’s music scene stems from his experiences collaborating with international recording artists and labels.
Recognizing a widespread sentiment that contemporary Jamaican music lacks the authentic essence of dancehall and reggae, McGregor endeavors to recreate the magic of the era pioneered by legendary producer Dave Kelly. Reflecting on his creative process, McGregor fondly recalls the infectious vibe of ’90s dancehall mixtapes crafted by luminaries like Collin Hinds. With The Recoup, he aims to capture the raw energy and distinctive style that defined the genre’s heyday.
Taking cues from iconic producers such as Steely and Clevie, Sly and Robbie, and King Jammy, McGregor meticulously integrates authentic dancehall elements such as drum patterns, basslines, and effects. Balancing tradition with modernity, McGregor stresses the importance of preserving the integrity of ’90s dancehall while incorporating subtle contemporary touches.
Through The Recoup, McGregor seeks to reignite a fervent appreciation for authentic dancehall music on a global scale. His collaboration with renowned artists like Buju Banton, Etana, Elephant Man, Beenie Man, Tifa, and I-Octane exemplifies the universal appeal of ’90s-inspired dancehall.
“I believe in maintaining the original dancehall sound as it is, as it is inherently perfect and requires no alteration. However, for those seeking to infuse a more modern feel into dancehall, I believe it’s crucial not to stray too far from the authentic dancehall and reggae sound, thus avoiding its transformation into a different genre. By involving younger artists in collaboration with producers who understand dancehall and reggae, we can introduce modern elements and vibes. But this can only be successful if the new generation is willing to learn and embrace reggae and dancehall,” McGregor emphasized.
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